The King of Shreds and Patches (2007)
> x van der Wyck's tapestries (@ van der Wyck's Bedroom)
These hangings are well-made and pleasantly patterned in their way, but hardly make a bold statement. Much like, you are beginning to suspect, their owner -- at least to the eyes of the outside world.
> x left tapestry (@ Barker's Entry Hall)
This tapestry depicts a group of hunters gathered around the corpse of a pure white unicorn that they have apparently just felled. Bright blood dribbles from an ugly gash on the unicorn's side, and a cruel-looking man is stepping forward armed with a gleaming silver dagger, apparently to administer the coup de grace. The subject matter of the piece is not that unusual, but this one is executed with a cruelly intense attention to detail that sets it apart from the usual stylized depictions of the hunt.
> x right tapestry (@ Barker's Entry Hall)
This tapestry depicts a knight and a beautiful young damsel in white bowing down before an altar. You want to see it as a portrait of Christian piety, but the details are all off. The knight's right hand seems to hold the girl much more tightly than he needs to, and the altar is crenelated in odd patterns that look almost like tentacles. And why does the knight's left hand seem to be reaching for the wicked-looking knife that gleams in his belt?
> x additional tapestries (@ Barker's Entry Hall)
The tapestries that cover virtually every inch of exposed wall are as finely-made as the rugs on the floor. The brilliant colors that make up their abstract designs glint and flicker in the dim light. Mixed in with the solids are gold and silver threads, even occasional pearls and precious stones.
> x huge tapestry (@ Chamber of the King)
A huge tapestry depicting a stylized but vivid mythological scene completely covers the north wall of the chamber. A Greek ship ploughs through stormy seas. On one side of it is a churning whirlpool; on the other, a vile, amorphous, tentacled beast emerges from a deep fissure in a sheer, chalky cliff face. You remember the Doctor Faustus manuscript and its mention of the legend of Scylla and Charybdis.
> x bright tapestry (@ Byward Upper Floor)
This large, bright tapestry shows a panorama of an idyllic English village on a perfect autumn day. Men thresh wheat with smiling faces, women cook and wash and gossip, and children toss a ball about. One woman in a bottom corner catches your eye, for she seems somehow separate from the rest of the village's healthy life.